I am a beekeeper and an artist. Beekeeping provides me ample time outdoors, where I am inspired to think about life cycles, growth, and decay. I keenly observe the interworking of the bees in their hives, while also paying attention to insects, plants, flowers, seedpods, and other small objects found in nature. I enjoy the mysteries of the natural world, and find joy in it’s artifacts. That feeling of ‘not knowing’ provides space for my creativity to take root, igniting my imagination.
Back in the studio, the subconscious impressions from my outdoor observations find their way into the clay, where I intuitively approach forms and random patterns. I hand-build, using coil and pinching methods to create rhythmic and refined pieces. Strong curves and familiar references to organic objects establish a connection between the work and our natural surroundings; often times relating to subtle shapes and textures found in bee hives.
Once the objects are created, a great deal of time and consideration is spent carving and developing their surfaces. This added attention deepens the story of each item by adding complexity, in turn inviting closer exploration. The act of creating and refining a piece is both meditative and all consuming. I want my work to encourage similar contemplations, and to elicit feelings of curiosity and wonder.
The sculptures are fired in a wood/soda kiln. The turbulent nature of these firings enhances the surface texture through flashing and ash deposits. The dynamic quality of the atmosphere simulates the process of weathering, and portrays the passing of time.